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Tuesday, April 27, 2010

PDF Download The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy

PDF Download The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy

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The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy

The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy


The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy


PDF Download The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy

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The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy

About the Author

Bill Creevy, a versatile artist and writer, is a Master Pastelist of the Pastel Society of America, author of The Oil Painting Book, and the recipient of numerous jury awards. He lives and works in his SoHo studio loft in New York.

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Product details

Series: Watson-Guptill Materials and Techniques

Paperback: 176 pages

Publisher: Watson-Guptill; Revised ed. edition (March 1, 1999)

Language: English

ISBN-10: 9780823032747

ISBN-13: 978-0823032747

ASIN: 0823032744

Product Dimensions:

8.6 x 0.5 x 10.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

65 customer reviews

Amazon Best Sellers Rank:

#77,939 in Books (See Top 100 in Books)

I've read a few books on oil painting, and this one is my favorite, hands down. You know that feeling when you're in the art store, selecting supplies and making discoveries, and you look up and realize half the day has gone by? Well, just be sure to set aside some reading time for this when you don't have an urgent project going, because...Although there is at least one other book that calls itself an oil painting encyclopedia (and this one does not), this book has more factual, up-to-date, and helpful information about oil painting tools, supplies, mediums, etc., and how and when to use each of them than any other I've found. Plus the paintings and demonstrations in this book so beautifully illustrate those usages, it was easy for me to see which particular paints and mediums I should try next to complement and grow my own style--and I was deeply inspired to do so. It felt like getting an artist-led tour through the art store, with demos along the way, and pre-printed cliff notes.One word of warning: this book may lead to large purchases of oil paints and mediums! You WILL want to try new things. :DI was sad to come to the end of this book, but I have already found myself going back and referring to sections and passages multiple times, as the information is densely-packed, so there's more you will get out of it after the initial reading, or after your own experiments and efforts. The more you learn and try, the more it will grow with you over time.

Best beginning painting book I've owned, and as a professor and painter I've owned a lot. Covers glazing particularly well, and is suited for students. I will start requiring this to be my classroom text for my painting classes moving forward.

Oils are quite different from water media from beginning to end. This reference/technique bookprovides detailed description of each part of the process. For example; oil sticks (not oil pastels)can be combined with oil paint, under painting in acrylic provides a value study to build on, glazingtechniques are clearly described. If you can, just check out the table of contents to see howcomplete a reference this is. I have only two oil reference books; this book and Oil Painting byCharles Sovek. This is all the reference I've needed to begin a serious study of the medium.

I love the materials knowledge & applications that are given at the first half of this reference book. I, however, agree with another customer's assertion that the remaining part of the book was demo related, but I like the list of suppliers near the end towards the index section. I am happy that I now own this book as with my other in-depth reference of artist's materials & supplies information that I wished I had gotten a few years ago.

Great resource guide and teaching of techniques. Well written and well represented. A good teacher is a great thing and this book is just that...a good teacher.

I love this book. I checked it out at the library so many times that I finally broke down and bought my own copy and I'm so glad I did. I've been painting for years but this book continues to teach me things. It has the best explanation of glazing techniques that I've found. I'd never had the confidence to attempt glazing, mostly because I didn't understand how it was done, but this book inspired me to give it a try and so far, I'm enthralled. It also has in-depth information on oil mediums, grounds, paints, brushes, just about anything you want to know about oil painting materials. The section on mediums alone is worth the price I paid for the book. I have several shelves full of art how-to books, but this one is my absolute favorite.

A great book. Its full of information past and present on pigment performance, historical uses, toxicity, combinations, and company profiles. It also explains supports, mediums, and the pros and cons of each. I haven't listed everything it offers but its worth a buy if you area hobbies or a pro interested in the longevity of your work.

lots of good practical information on materials. But not great a instruction.

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The Oil Painting Book: Materials and Techniques for Today's Artist (Watson-Guptill Materials and Techniques), by Bill Creevy PDF
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Tuesday, April 6, 2010

Download PDF Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik

Download PDF Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik

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Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik

Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik


Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik


Download PDF Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik

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Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik

This is the first full study of how people refer to entities in natural discourse. It contributes to the understanding of both linguistic diversity and the cognitive underpinnings of language and it provides a framework for further research in both fields. Andrej Kibrik focuses on the way specific entities are mentioned in natural discourse, during which about every third word usually depends on referential choice. He considers reference as an overt representation of underlying cognitive processes and combines a theoretically-oriented cognitive approach with empirically-based cross-linguistic analysis. He begins by introducing the cognitive approach to discourse analysis and by examining the relationship between discourse studies and linguistic typology. He discusses reference as a linguistic phenomenon, in connection with the traditional notions of deixis, anaphora, givenness, and topicality, and describes the way his theoretical approach is centered on notions of referent activation in working memory. He argues that the speaker is responsible for the shape of discourse and that referential expressions should be understood as choices made by speakers rather than as puzzles to be solved by addressees.

Kibrik examines the cross-linguistic aspects of reference and the typology of referential devices, including referring expressions per se, such as free and bound pronouns, and referential aids that help to tell apart the concurrently activated entities. This discussion is based on the data from about 200 languages from around the world. He then proposes a comprehensive model of referential choice, in which he draws on concepts from cognitive linguistics, psycholinguistics, cognitive psychology, and cognitive neuroscience, and applies this to Russian and English. He also draws together his empirical analyses in order to examine what light his analysis of discourse can shed on the way information is processed in working memory. In the final part of the book Andrej Kibrik offers a wider perspective, including deixis, referential aspects of gesticulation and signed languages.

This pioneering work will interest linguists and cognitive scientists interested in discourse, reference, typology, and the operations of working memory in linguistic communication.

  • Sales Rank: #2998458 in Books
  • Published on: 2011-11-07
  • Original language: English
  • Dimensions: 6.60" h x 1.60" w x 9.30" l, 2.55 pounds
  • Binding: Hardcover
  • 688 pages

Review

"Kibrik has clearly succeeded in providing the reader with an overview not only over the linguistic variation and typological tendencies of reference, but also over the different research traditions in East and West. The book is extremely comprehensive and very clearly written...this book is an invaluable and very accessible resource for those who want to read up on discourse reference as quickly as a book of this heft permits."--Linguist List


"A very detailed and, at the same time, broad study of an important topic...A remarkable
book, which can inspire many students and researchers." --Anthropological Linguistics


About the Author

Andrej A. Kibrik is Leading Researcher at the Institute of Linguistics of the Russian Academy of Sciences, Moscow, from which he received his PhD in 1988. In the Institute of Linguistics he heads the working group that prepares and publishes the multi-volume encyclopedic publication "Languages of the World." In addition, he is Professor at the Department of Theoretical and Applied Linguistics in Moscow State University. He has published articles on linguistics in over 200 publications.

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Reference in Discourse (Oxford Studies in Typology and Linguistic Theory)By Andrej A. Kibrik PDF
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